Tagged: horror films

CINEMASTHESIA MOVING IMAGE SERIES

co-sponsored by Monkey Brains & Central Services

933 Treat St, SF. Doors 6PM Movies 7PM

FREE!

donations gladly accepted

 

1st run: Psychgeography

Artwork by Hugh D’Andrade

A subjective take on filmic representations of various aspects of urban exploration (urbex, UE, place hacking, etc)

WEDNESDAYS> August 13th, Sept 10th, October 8th, November 5th & December 3rd – Doors 6PM, movies 7PM. 

 

August 13th: 

To Live and Die in LA

Movies are the next best thing to real life, if your real life is dramatic, exciting, unnerving, joyous, terrifying, confusing, engaging, deeply depressing, and reflects all those and other feelings. If your life is not like that, then there are always movies.
The first two movies that I remember seeing as a young child are Santa Claus Conquers the Martiansstarring Pia Zadora and First Men in the Moon, starring Edward Judd.
I saw both of these films in a theater when I was about seven years old. I certainly saw stuff on teevee before that – we got our first B&W teevee a few months before John Kennedy was assassinated in 1963 and that is the first “teevee show” or rather ongoing dramatic news story that I remember vividly. I imagine that my memories of that horrible event were “baked in” due to how distraught and vocal my typically stolid and calm parents were.
That sort of thing has an effect on a youngster.

-LA River (short)

 

Dark Days

To be clear, I don’t really remember much as far as actual full length narrative films before the moon and the martians. Both of these films really scared the poop out of me! They were really creepy. This deep impression has stayed with me til now, despite an adults eye revealing the undeniable hokeyness of both films.
The next, forever ingrained in memory movie experience of mine, was one that I shared with millions of Americans. And that would be the annual showing on television of The Wizard of Oz. This peculiar societal ritual might seem strange to younger people nowadays, but in the mid 1960s, it was a major event that millions of children & child-like adults awaited with great anticipation.  The Wizard of Oz became a deeply felt and profound collective cultural experience shared by so many fellow Americans (as far as phenomenal fantasy films of the 30’s I would vigorously champion MGM’s Max Reinhardt’s stupendously magical A Midsummer Nights Dream. I actually prefer it to WOZ.)

September 10th: 

Subway

For me, as I grew older, going to the movies became a thing. I grew up mostly in a little town in Michigan that had one movie theater. My friends and I would go there as often as we could. I remember one night in 1973 when I went with three of my buddies to an evening showing of Richard Lester’s Three Musketeers. Rolling out of that movie house, we immediately grabbed the closest sticks and spent the next several hours chasing one all throughout the dark and quiet streets of Big Rapids Michigan sword fighting and leaping about as energetically as humanly possible. We eventually ended up climbing the old water tower right at the edge of town, where the Ferris College grounds started. We were thoroughly energized and brilliantly inspired by that fabulous action adventure movie. ATHOS!! PORTHOS!! AREMUS!!! and KEN!!      

That run around town under the cover of night pretending to Aramus after seeing one of the greatest adventure films ever, was a truly unforgettable experience, not to mention my first exposure to one of the gods of acting: Oliver Reed.
As we got a little bit older, we realized that if you went to the very back exit out of the theater, the one by the screen, that we could walk in backwards, while people were walking out and nobody would notice, and then we would quickly burrow down deep into the very front row of seats, where nobody from the back of the theater could see us. From there we would watch the movie, actors and movie scenarios towering high above us. We did this a lot. It’s how we, three 14 year-old kids, saw the scandalous and X-rated A Clockwork Orangewhen it first came out.

 

October 8th:

Stalker

I finally made it to San Francisco in 1976 and a year later I joined the Suicide Cluband Communiversity. Suicide Club avatar and “first among equals” Gary Warne, along with his friend Ron Sol ran a thing they called Fantasy Film Festival out of Gary’s bookstore The Circus of the Soulon Judah at 10th Ave in San Francisco.

 

Mad God 

 Gary stashed dozens and dozens of pillows atop the towering bookshelves in the store and every Sunday night we would move some things around, drag the pillows down and throw them on the floor; Gary would fire up his 16mm film projector and would show a double bill of what he & Ron thought were the strangest movies.

 

November 5th:

The Element of Crime

2 years ago my friend Rob Schmitt created Films With Friends a wonderful North Beach film series taking place monthly at various venues. This series was unique to my knowledge because multiple films were screened at a number of venues simultaneously in the same neighborhood, the primary intent being to liven up the hood by encouraging folks both local and from other corners of the city to invite friends to wander about North Beach, either settling on one program or dropping in on a few.

 

-LA River (short)

 

The Naked City

As you can see, I have been enamored of and involved in many atypical movie showings and series over the decades Fantasy Film Festival. Brain Wash Film Festival (a very scrappy low budget film series ongoing since the mid – 90s where films are shown in a great variety of peculiar places), original film premieres in the sewers under Yonkers, New York, Old Suicide Club movie showings in abandoned theaters as aesthetic programming for an actual physical event to follow, and all sorts of other great venues and peculiar methods of screening.

 

December 3rd:

RoboCop

Not to mention the late 70s through the early 90s when San Francisco had as many as 25 repertory movie houses around the city that showed odd bills. The Strand, the Embassy with its 10-0 Win and one dollar entry cost. If you came to the Embassy when they opened at 10 in the morning, you could stay all day until midnight or 1, and people did.

Big Trouble in Little China

I’ve wanted to do my own movie series for a long long time, but was always busy with other stuff or just didn’t really have the right venue. I would like to thank Rudy Rucker Jr. and “Devo” for graciously offering up their small company theater for this ongoing series. I am sure that like me most of you have your favorite end of the world movies. We’ll see how it goes. If we get a decent turnout for the first chapter, psychogeography then will run the second chapter Apocalypta.

Well, there are a lot of end of the world films, some of them are pretty obscure. I’ve wanted to run my favorite list of apocalypse films for a long long time. Hopefully I’ll get a chance to do it…

If we do get through to the third iteration, I encourage all of you to come out for the films of Larry Cohen. It’s impossible to describe them.

Seriously. If any film auteurs deserve their own category, Larry Cohen would surely be in there with Scorsese, Ingmar Bergman, Fellini, Polanski, and all the rest of the unique filmmakers. I’m not necessarily comparing Cohen to those others on a qualitative level mind you. But I can honestly say that at least for me as far as entertainment, it gets no better.!

Seafoam Palace Detroit MI.

My comrades, associates and dear friends have launched a kickstarter campaign to fund a fabulous dream project in the mysterious and vibrant land of Detroit. Curious objects, totemic figurines, elaborately and lovingly produced tableaus, strange icons and bizarre tchotchekas: these are the things that have been collected from the furthest corners of the world and will appoint and adorn Detroit’s Seafoam Palace.

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Me in front of Seafoam. Hacket “tweeting” in the background

 

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Julia Solis, Pere La Chaise Cemetery, Paris

The avatar for this project, Julia Solis is one of the early pioneers of the world of Urban ExplorationHer book New York Underground is a primary text for explorers. She was a friend of and inspiration for Ninjalicious the fellow that grounded and popularized UE  with the zine Infiltration and book Access all Areas. Julia’s NYC based exploration and event group Dark Passage founded in 1999 holds a near mythic status and has inspired adventurers around the world.

Julia’s many projects over the years have radiated an essence of purity and authenticity that is rare to find. Her singular aesthetic is deep, dark and beautiful. She attracts collaborators of high caliber.

To peruse the histories of folks involved in SeaFoam is to open many doors to rare, exotic and obsessive worlds.

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Bryan Papciak lighting the way into the realm of Cthulhu….

Filmmaker and educator Bryan Papciak has documented surreal yet very real worlds in his uniquely disturbing style. Bryan continues to warp impressionable young minds as a prof at RISD.  Bryan’s work as an animator and creator of images is pretty disturbing. He LOOKS normal, but watch out when delving into the worlds he creates in his feverish imagination. Watch his oddly mesmerizing video below!

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Julia Solis & Tom Kirsch observing.

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Julia Solis & Tom Kirsch in action!

Photographer, fearless explorer and web designer Tom Kirsch has captured some of the most haunting images ever. A small sampling of his work can be found here. His work has been featured on PBS’s American Experience, in Digital Photographer Magazine and other publications. Tom likes to fish – a lot – his nautical sensibilities have and will continue to influence Seafoam.

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the only photo ever taken of Hackett while he was smiling. photo credit J.Law!!!

Madagascar Institute founder and international art Star Chris Hackett helps out in Detroit in between stints blowing things up, sometimes on teeveeand instructing the kids on how they can “do this at home!” for Popular Science Magazine.  Hackett is deeply dedicated to making the world a more interesting (and dangerous) place. Madagascar has turned out hundreds of maladjusted young artists (with some actual real world skills) after Chris turned chose to open the place in 1999.

 

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Christos Pathiakis in the Paris catacombs. Evil gargoyle above to the left. To Christos right is Rahan, a German guy we met after being underground for five hours & several miles from the entrance. Rahan said he lived there….

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Christos, Julia & mysterious European guy in the tunnels under the Paris Opera House. We didn’t see “Eric”. Maybe he saw us, though….

Globetrotting film professional Christos Pathiakis explores ruins for fun between exotic location shoots. Before teaming up with others as the internet began to connect explorers Christos spent thousands of hours roaming through much of the NYC subway system in the 90’s disguised as an MTA worker.

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Badass Kim Couchet

 

 

 

 

 

 

When not hammering away on Seafoam, swashbuckling pyrotecnician Kim Couchet installs and ignites the largest fireworks displays in the world.

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Shel Kimmen – things grow around her.                              photo credit: http://www.thestar.com

 

Social engineer Shel Kimmen has dedicated her life to the revitalization of her beloved City of Detroit.  Shel’s counsel has been invaluable for the Seafoam crew.

Italian explorer and aesthete Alessandro Toffoli adds a compelling European flavor to the Detroit mix. Alessandro compares Detroit favorably with Rome (for the eventual importance of it’s fast disappearing colossal abandoned edifices). Alessandro has published both fiction and nonfiction, and is now an ongoing researcher at Casa della Memoria, the official oral history society in Rome. He is also a co-founder of Arcadia, a Roman art and restoration laboratory that specializes in antiques and objects of curiosity.

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Alessandro Toffoli not long after mowing the lawn at Seafoam. The most handsome member of the crew, Al is also an accomplished artist and has excellent taste in music.

 

 

 

 

Paul Oarkhill & Julia Solis

Paul Parkhill and Julia Solis. Paul seems to be very grounded and adult-like. I wonder if he’s researched the liability of being involved with……..

Paul Parkhill is the Executive Director of Spaceworks, Between 1999 and 2012, Paul served as the Director of Planning and Development at the Greenpoint Manufacturing and Design Center. Paul worked as a housing developer for Common Ground Community. In 1997 Paul co-founded Place in History,  and in 2004 he co-founded Furnace Press with Julia Solis and Ars Subterranea.

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Monica Canilao just being herself. photo credit: tadashiphoto.blogspot.com

Installation and performance artist Monica Canilao creates exquisite, dream inspired worlds from the detritus sloughed off from the mundane world around her. Her involvement in Seafoam has introduced the project to a younger risk-taking group of collaborators. That’s a nice way to say “watch out for these crazy kids!”

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Vness Wolfchild has never gone to a party where another woman was wearing the same dress.

Other key personnel and associates include artist/performer Vness Wolfchild  a musician and interactive ritual healing performance artist. Her work explores the complexity of the physical, spiritual and emotional body existing within urban industry and architecture. soundcloud.com/vnesswolfchild

Dorothy Trojanowski

Dorothy Trojanowski with her horses at a corporate outing. photo by Harrod Blank

 

 

Designer Dorothy Trojanowski whose work includes the lovely lay-out for Julia Solis’ recent book Stages of Decay. 

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Colin McIntyre. Serious dude.

 

 

metal sculptor Colin McIntyre, Inspired by creatures from the oceans and all plant life, Colin creates sculptures using hot metal forging and fabrication. His work is featured as a permanent public art piece at the Austin Nature & Science Center.

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Ryan Carmichael & friend, Detroit MI.

Detroit homesteader Ryan Carmichael  is a functional artist and was one of the lead fabricators on Gon Kirin. In recent years he has specialized in architectural installations around Detroit.

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Aram Polster making things. We’ll be doing that a lot at Seafoam.

Using found materials, Aram Polster is a multimedia artist, coffee brewer, and also involved in NYC/Detroit arts groups like Dark Passage and Madagascar Institute.

 

 

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Maggie Sisco beta testing some nature for possible inclusion into Seafoam.

Maggie Sisco lives in Detroit and works in public relations for a small firm in the metro area. Her expertise is in media and content strategy.

 

Seafoam Palace is made up of artists, writers, photographers, filmmakers, sociologists, engineers, historians, travelers, explorers, and a few varieties of alchemists. Some have been collaborating on projects for over twenty years, some are brand new – drawn together by a love of the absurd, the profound, and the curious.

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Me & Julia Solis in Paris last year tracking down weird stuff. We both read and presented from our respective books, Tales of the San Francisco Cacophony Society and Stages of Decay.